Some people were born to win big.
Get our Script eNewsletter and receive the latest in screenwriting news and, for a limited time, get a free download of the How to Write a Screenplay workbook! I spent 25 years of my life as an agent in Hollywood and I know how the system works.
During those years I signed new writers, older writers, men, women, tall, short, fat and thin. Their personalities were quite varied as were their personal lives.
How they found me or I found them was also different with each case.
However, they all had certain things in common that made me want them in my world. They all had commonalities that made me want to represent them and find them work, sell their scripts and handle them on a daily basis.
I am happy to share the information right here. First, you need to know that all agents want great clients. The definition of a great client is one who has a body of work, as opposed to one nice script. They know how to listen and are amenable to change.
Great writers are constantly coming up with new ideas and executing them. The best clients call when they have something to share about their career. The only good ones live in Los Angeles or New York.
That tells you where you need to be.
These agents do make themselves available all over the country by attending pitchfests and film festivals. They give seminars and classes at a zillion events.
They go to these events for one reason only… they are looking for great clients. There are agents so close you can touch them. Do you have that body of work? Are you willing to move to Los Angeles? Are you neatly and cleanly dressed and coiffed? Are you enthusiastic about your own work? Do you have a good log line, a short treatment, a long treatment and a clean script in your room, briefcase or car?
They only want to hear about the project. When you finish your pitch, sit quietly and listen to the agent.
Then ask for their business card or email address. Follow up the next week with a thank you note. If they wanted to see your material you must get it to them immediately. No bells, or whistles, no balloons or confetti.
Just send or deliver the script with a nice cover letter that shows your appreciation and perfect spelling and grammar.
Your next job is to sit and wait for two weeks. Wait another two weeks then call again. Keep in mind that you have no idea how busy these agents are and how hard they work.Literary Agents for Screenwriters: Listed below are just some of the literary agencies who represent writers for Film & Television.
You may also be interested in our list of Literary Managers.. But getting an agent is not as simple as calling up, sending an email or even mailing your script. jasonville sp greene tickets for sale right now.
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Therefore, script writing software should save you time: it should be easy to learn and use, bug-free, and reliably updated. NOTE: what follows is my opinion, and I am not compensated for these recommendations.
That said, here are my choices for the best screenwriting software. Literary Representation for Screenwriters Click here for a list of Literary Agents and Literary Managers for Film & Television. But please understand that securing representation for your writing is not as simple as calling up, sending an email or even mailing your script.
Below is a list of screenwriting agents in the UK. If there are others I’ve missed, please let me know in the comments below. Remember that in the UK literary agents both manage a writer’s career and negotiate contracts for them.